BMW 520D TOURING BROCHURE 2010 Wartungshandbuch Seite 11

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A BMW SHOULD
ALWAYS RADIATE
DYNAMISM.
Adrian van Hooydonk, Head of BMW Group Design,
invited us to join him on an exclusive test drive.
An interview with the expert about the design of the
BMW  Series Touring.
Interview: Brian Finally.
Adrian van Hooydonk, what was it like for you to be working
on the BMW  Series?
It was a special experience. The BMW  Series is the core product of
the brand. It has the longest ancestry and embodies the ideal blend
of elegance and sportiness.
What are the main details through which you wanted to set
this BMW  Series Touring apart from its predecessor?
For the BMW  Series – not just the Touring, but also the Saloon – we
developed a very upright kidney grille. It is even slightly angled towards
the front to emphasise the sportiness of this model. It also establishes
a link with our design history. The vehicle has a slightly more crouching
stance than its predecessor, which gives it a more dynamic edge.
The low silhouette and slightly sloping roofl ine are immediately
apparent features of the BMW  Series Touring. Could you
describe the effect?
The low silhouette in the side view underlines the sportiness of
the BMW  Series Touring. The slightly sloping roofl ine adds
to the car’s dynamic, sleek appearance. Various details such as
the elongated window design or the low-slung roof rails further
emphasise this impression. When viewed from the rear, details such
as the third brake light on the edge of the roof spoiler and the two
distinctive light banks in the rear lights really bring out this car’s
individual character.
The design appears very consistent. Not just from the
outside, but also in the interior. Here we see uncluttered
surfaces without any unnecessary frills – and a sophisticated
lighting design. What was the idea underlying that decision?
We opted for a very fl owing design arc from the instrument panel to the
doors. This means that the driver orientation – a trademark BMW feature
– is very much apparent, while all controls are ergonomically arranged
and beautifully designed. After all, a BMW should always convey
sportiness and elegance – in the cabin as much as everywhere else.
Adrian van Hooydonk, Head of BMW Group Design,
introduces the BMW  Series.
Exterior designer Jean-Francois Huet gets to
work on his design model.
Did you take special care to balance the interior design with
that of the exterior?
At BMW the exterior and interior will always provide a harmonious
overall impression. Just as with the exterior, the closer you get,
the more you will discover. The arc of the two character lines on
the instrument panel which sweep along the front passenger area
is one such subtle detail. The transition of the interior trim from the
instrument panel to the door with its chrome accent area has been
very diligently crafted. And we always use authentic, high-quality
materials. Like leather hides with a  ne, even grain.
The same kind of attention to detail is apparent in the
exterior. Even the door handles are exactly level with the
swage line – presumably this has been well thought out?
Features such as the integrated door handles or the dynamic shape of
the side repeaters testify to the special role BMW has always attributed
to sophisticated details. These beautiful, well-designed elements
round off the overall impression of the vehicle and demonstrate our
ability to translate our ideas into practice on the manufacturing side.
Let’s talk about the lines of the bonnet: what is the function
of these small but signi cant design features?
The two character lines on the bonnet add precision and de nition
to the model’s overall looks.
The headlights feature an eyebrow-like, milk-glass top
element, while the taillights have a pronounced L-shape.
What motivated you to create such distinctive lights?
For us, it is important that people will recognise this car as a BMW
even in the dark. The most important feature in this respect is the
focused “look” oriented towards the road. This is achieved by the twin
headlights and the way the eyebrows slightly cut across them. The
trademark L-shape of the taillights is a shape that has grown out of
this model’s history. But illumination is provided by very modern LED
elements.
Can you explain why the kidney grille is especially distinctive
and wide?
The kidney grille is of course more than a design element. First and
foremost, it serves as an air inlet. But in the BMW  Series, it also
conveys the message that this car has lots of sporting personality!
You put great emphasis on the dynamism of this model …
Of course I do! A BMW should always radiate dynamism. The
BMW  Series appeals predominantly to customers who get a lot of
joy out of driving – which includes the occasional longer journey –
and who therefore appreciate the trademark BMW dynamism. In my
opinion, the BMW  Series possesses very harmonious and well-
balanced proportions, combined with the timeless elegance that has
become synonymous with our large model series.
Thank you very much for this exclusive interview! It was a
pleasure talking to you.
Interior designer Oliver Heilmer checking the lines and
dimensions of the body on the clay model.
Emotional sketch of the exterior of the
BMW  Series Touring.
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